Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Queenie McKenzie Nakara
Queenie McKenzie Nakara
Queenie McKenzie Nakara

Queenie McKenzie Nakara, 1997

Greg Weight
Portrait, gelatin silver photograph on paper

Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.

Queenie McKenzie Nakara

She saved his life. He showed her painting.

Nearest & Dearest

Leaders, painters, friends

© Shirley Purdie/Copyright Agency, 2020

Ngalim-Ngalimbooroo Ngagenybe

Shirley Purdie
Previous exhibition, 2020

Using ochres collected on her country in Western Australia’s East Kimberley, Shirley Purdie’s self-portrait is a kaleidoscope of traditional Gija stories and Ngarranggarni (Dreaming) passed down to her.

Paul Kelly
Paul Kelly
Paul Kelly

Paul Kelly, 2007

Peter Brew-Bevan
Portrait, type C photograph on paper

Gift of the artist 2012

Paul Kelly
Paul Kelly
Paul Kelly

Paul Kelly, 2004

Jon Campbell
Portrait, synthetic polymer and enamel paint on canvas

Purchased with funds provided by the Basil Bressler Bequest 2004

Paul Kelly, 1992 by Wendy McDougall

Paul Kelly and The Portraits

Previous exhibition, 2013

Aspects of singer songwriter Paul Kelly’s performance persona are communicated by portraits selected from a range of artists and leading music photographers in this focus exhibition.

HM Queen Elizabeth II

Portrait story

Magazine article by Polly Borland, 2022

Photographer Polly Borland on capturing Queen Elizabeth II.

Ngalim-Ngalimbooroo Ngagenybe

Storied portrait

About Face article

Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.

Helen Borthwick née Pearson

The personal and the historical

About Face article

Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency